I have been collecting dollhouse miniatures as far back as I can remember and I still own some of the dollhouse
furniture I played with over 55 years ago. When I was a teenager, most of my babysitting money was spent at The Carousel,
a toy shop located in Westport, CT, where I purchased Lynnfield and Shackman furniture for my homemade Colonial dollhouse.
I also found antique and vintage furniture at Connecticut weekend flea markets, including my first pieces of TynieToy furniture.
When I went to college in New York City, I opened my very first checking account and the first check for $11 and change was
made out NOT to the college bookstore, but to B. Shackman and Co., located only a few blocks from my dorm room. While in school,
I worked part-time at one of the very first dollhouse shops, Kathryn Falk's MiniMundus located on Lexington Avenue and 77th
Street, and after graduation, I spent a wonderful year working for Molly Brody at her shop in Westport. Molly introduced me
to artists of the mid-1970's including Betty Valentine, Helen Norman, Donald Dube, Joen Ellen Kanze, Debbie McKnight, Joe
Andrews, and I met other fabulous artists and renowned dealers of antique miniatures like Bob Milne at her twice-yearly Yankee
Miniatures Show in Darien. And I will never forget the afternoon when she took me to see Gretchen Dean's amazing personal
collection with its many pieces of furniture by Eric Pearson and other artists.
Unfortunately, Molly couldn't pay me very much and each purchase I made that year was very precious to me as I balanced my
collecting passion with student loan payments! I eventually went to work in the corporate world, but never lost my delight
in collecting miniatures. Decades later, I have the leisure time to focus my interest in antique and artisan miniatures by
researching and writing articles for Miniature Collector and Antique Doll Collector magazines (click My Articles for more
information). Through that work, I was asked to curate a museum exhibit and then asked to do appraisals and catalogue descriptions
for several major specialty auction houses in New Jersey and Pennsylvania. That work (it hardly seems the right word to describe
such a pleasant occupation) has provided me with many opportunities to view wonderful private and museum collections over
the past few years, and to examine rare and unique pieces that have never appeared in publications.
I've
recently pared down my collection of antique dollhouses so I can
focus more on collecting the under-appreciated work of vintage
craftsmen. I've always collected Betty Valentine - when I worked for
Molly at her Darien show, she was astute enough to place her own
booth right next to Betty's, which gave me a lot of time to really
examine her work and make carefully planned purchases. My very first
purchase was a little tripod table with gracefully curving feet for
$20 and I still treasure it. The Darien show was also where I bought
pottery from Debbie McKnight, Jean Yingling, and Carolyn Curran. After I left Molly's
employ to work in New York, I joined the IGMA and saved for
months to buy at the annual Guild show. When I lived in New York, I
travelled across the country for my job and, when I had time, I
looked up the local miniature shops and tried to bring home
something unique to those shops. So many of them are gone now. My
first business trip was to Allentown, PA in the middle of winter,
and I found a funny little gift shop inside a family restaurant
where I was surprised to find the furniture of Robert Gray. I
couldn't afford to buy more than one thing, so I brought home his
lovely cherrywood Jenny Lind bed for $38 (I so wish I could have
purchased the bureau and washstand too!) It's odd to find his work
now re-appearing at auctions. I reduced my attendance at
shows when I began to raise
a family, but I tried to go to the Guild show or Philadelphia Miniaturia when I could,
and when my daughter was
older, I was able to go to London for the Kensington Dolls' House Festival (the best!)
and Birmingham's Miniaturia. I finally got to the Singing Tree just
a few years before they closed. Now I am a regular at the
Philly show and the IGMA show, and with my recent
move to CT, I look forward to attending the Sturbridge show in June.
It recently occurred to me that I should share photos
of some of the things I have made myself for my collection on this
page, so I will be posting some from time to time.
(9.26.10) A
Sampler
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I constructed these tables almost 30 years ago when my daughter
was small and we shared a small Greenleaf kit house - the only kit
house I ever put together myself. She helped sand, glue, assemble
and paint it, and after I installed floorboards and
papered the interior, I constructed much of the furniture for it,
sometimes with her help. Only about a year ago, after confirming she
had no sentimental feelings about it, I gave it to a young girl who
was the recently adopted daughter of a piano teacher who knew a
friend of mine. My friend had brought them to see the exhibit
of antique dollhouses I was involved with a few years ago and the
girl had recently expressed an interest in having a dollhouse of her
own. I was really pleased to pass along to her a small house I had
enjoyed but no longer had room to display. I filled it with sturdier
commercial furniture I had accumulated from auction box lots and my
friend collected it and took it to them. I received a nice thank you
note and later learned that playing with the house together had
helped mother and daughter bond in a way that had eluded them
previously. Ah, the healing power of dollhouses! I used component
parts for the legs and central spindle. |
I made this country dry sink after seeing a
full-size example in an issue of Country Living. Now I would use
different hinges, but I enjoyed painting and glazing this piece and
distressing just enough... |
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I made this one-drawer stand to go with the
brass bed I made in college. Since I did not own or know how to use
a lathe, I hand-carved the legs and I used Butcher's Wax to apply a
finish. |
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