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Tynietoy | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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A Special Tynietoy House - A Preview When I gave some presentations at the Handicraft Club in Providence in September 2014, I shared some pictures of a special custom Tynietoy house for which I was still in the process of negotiating its purchase. I am pleased to report that the house was purchased and made its journey to New Jersey for much needed restoration. I will be writing a magazine article about the house once the restoration is complete, but I want to share a little bit about it here as I get started. The story of the house and how it ended up in a Westchester County, NY condo is a slightly complicated one, while the house itself is more straightforward. It was built in 1921 at the request of a lady who owned a bookshop in Boston. It was built for a specific doll that resided in the bookshop and the scale is a monumental 2" to 1', so the house is five feet tall! The family from whom I purchased the house had owned it for over 40 years and in that time, it had seen a lot of play. The children could actually climb into the principal rooms and curl up in them, and over the years, all that platy took its toll, but it was so fortunate that no one ever painted over the two Sidney Burleigh murals that made me fall in love with this house. I have done a lot of research on the house, its murals and the lady who commissioned it, which I will share at a later time, but I thought you might enjoy seeing a few photos of Greenaway House as it looks before restoration.
The house is just two rooms plus the staircase hall. The woodwork has been painted over several times but the murals on the side wall of the lower room are intact. The architectural details are quite impressive even in this condition. If not for the brass plaque found on the side of the house, the owners would never have known about the connection to Tynietoy and would never have found me on the internet. I was SO meant to have this dollhouse! The mural on the right side of the parlor is titled "The Old White Mill" and again, it seems so appropriate that this house has come to me because I have a special fondness for paintings of sheep and timber-framed English houses, as visitors to my home can attest. This is the mural that really got me excited when I saw the house. It is titled "Boylston House" which is a real historic home outside Boston. In this painting, one can see some similarities to the painting style used to decorate the Tynietoy Mansion's music room murals. In the closer version below, one can make out the intials of the one and only Sidney Burleigh and his fleur-de-lis trademark. Burleigh's mark is located ^ in the lower left-hand corner - I was so excited when I saw this! And then I noticed the A and H worked into the design of the wrought iron gate in front of the house. The initials stand for Alice-Heidi, the name of the doll that lived at the bookshop and they also appear on some archival drawings of 2" scale furniture from Tynietoy's archival drawings. It turned out that Bertha Mahoney Miller, the lady who owned the bookshop and commissioned the dollhouse, knew Sidney Burleigh. In a biography about this lady who ended up selling the bookshop after she founded "The Hornbook", a monthly periodical devoted to children's literature, it says she ordered the house from Sidney Burleigh. Through his connection with Tynietoy, it was natural that the construction and furnishings were handled at The Toy Furniture Shop, then located within the confines of the Handicraft Club on College Street. It is just so wonderful to see his own painting on these murals in this truly unique, one-of-a-kind doll's house. My plan is to not only restore the house but to also replace the missing furniture based on an old photograph of how the house was originally furnished, and from the archival drawings that survive. And after I enjoy the house for a few years, I plan to donate it to one of the artistic institutions connected to Burleigh in Providence. Sometimes things just fall into place the way they are meant to, wouldn't you agree? (4.24.2015) A Survey of Tynietoy Houses and Structures I've been asked to post something to help people identify the different tollhouse models made by Tynietoy. I thought this had been addressed adequately by several books in print, but I agree it would be helpful to do a survey of all the different model houses in some depth in one place so I'll try to address that here and I encourage anyone who would like to email me photos of their own Tynietoy houses to share here - I'm always happy to share other people's pictures here. The Colonial Mansion For some folks, the Colonial Mansion is the Holy Grail of Tynietoy house. While a few other houses are actually more rare, the Mansion is deemed most desirable because its impressive size offers the best opportunity to display the most furnishings in one single house, and frankly, it is the most elegant house with pleasing proportions and evocative New England character. I often hear people speculate about how many examples of the Mansion exist today. From the earliest catalogues, the Mansion was always the most expensive house, initially selling for $200 and increasing in cost over the years. By the mid-1930's the house cost $250 unfurnished, which is the equivalent of about $4000 in today's money. How many people would spend $4000 on an empty dollhouse for a child today? For half as much, you can buy a top-quality commercial house from Lawbre or Real Good Toys today, but one could debate if the artistic quality is really comparable. I think we can agree that at such a high cost, a good number of those original houses were purchased for adult collectors, but I know of several that belong to the families of women who received them when they were little girls. I know of just over a dozen Mansions in private and museum collections and I have to assume there are a few more out there tucked away in attics or long-empty nurseries. In fact, I recently heard from someone who rescued a dilapidated specimen from the basement of a Long Island estate and is restoring it for future generations, so it proves there are still a few treasures out there waiting to be unearthed. Most Mansions seem to have been built and sold int eh late 1920's up to the mid 1930's. A former employee recalled that during the year or so that he worked there, he remembered only one was made to order and shipped. The Mansion wasn't even offered in the last catalogues. There are so few Mansions that when one comes on the market, it is most often an example previously known to belong to a museum or prominent collector. I've had the privilege of owning two Mansions and both belonged to fairly well-known collectors. I was lucky to buy both of them privately and fully furnished. When a Mansion appears for sale at auction, it's almost always sold emptied of it contents. My advice to someone who wants to acquire a Mansion is to let people know you want one by contacting dealers you may meet at shows or find online, and keep track of houses coming to auction by checking auction web sites frequently. I got my first Mansion by letting the people who owned it know that when they were ready to sell, to please call me first and they did! My second house came out of the blue from someone who found my website and contacted me. When I recognized the name of the owner, I didn't hesitate to make a competitive offer for it. What should you pay for a Mansion? Everyone has their own threshold for pain. Flora Gill Jacobs sold her Mansion at auction, right out of her museum. With a lot of publicity, it sold for well over $30,000 with buyer's premium. Why so much? The dealer who bought it had customers waiting for one to come to market and the underbidder was somewhat new to antique doll houses and had deep pockets and little patience so she pushed up the bids for the house well past the estimate. This particular house had Flora's provenance in its favor and had been well publicized in books and magazines and when the house sold in 2004, all things Tynietoy were commanding strong prices. I very much doubt one would see such prices today. Now, I would say the market is somewhere between 8 and 15K, depending on condition and other factors. Dealers don't want to tell the public what they've sold houses for, and buyers don't like to admit what they've paid for them! Since I bought my houses furnished, my numbers can't really help paint an accurate picture. I probably overpaid for the first one and then got a really nice deal on the second one although I had to pay $3000 to get it shipped from California to New Jersey - ouch! But it came with some truly rare furnishings and an oustanding documented provenance so I have no regrets. Both houses were purchased with my heart and not as investments. When people ask me if they should buy a certain dollhouse as a good investment, I steer them to mutual funds. Tynietoy was incorporated in 1920 and that November, a variation of the design for the Nantucket Cottage appeared in an article in the Ladies' Home Journal - it was probably the "first" Tynietoy house, but the Mansion appears alongside the New England Townhouse in the first catalogues, so it was certainly in production for most of the 1920's, the decade when Tynietoy was most prosperous and offered the most merchandise for sale in their catalogues. The house as presented in the catalogue was just over 5 feet long, and with the optional garden, one needed at least 6 feet of space to display it. My first Tynietoy Mansion is not a "standard" version and is just slightly smaller - for photos of my first Colonial mansion, click on the Archives tab at the bottom of this page. The typical Mansion differs from the more common Townhouse because it has a spacious third floor of rooms under a gambrel roof and a second flight of stairs to access them. Also, the kitchen ell contains four rooms instead of two: a kitchen and butler's pantry downstairs and both a nursery and bathroom upstairs. With ten rooms and wider staircase halls, it is very commodious and allows one to decorate the bedrooms with a satisfying variety of different bedroom sets.
This is how the Colonial mansion was shown in the catalogue. When the house was purchased with a garden, as shown in this photo, the garden features form a base for the house and the front can open without disturbing the walkways. But when purchased separately, the gardens and walkways slide up to the house and the semicircular steps to the house's doorways can't fit and the walkway must be removed to open the front of the house. The solution is to raise the house alone up on a piece of plywood or MDF the same thickness as the garden.
The catalogue interior photo shows the house furnished with a parlor upstairs and the room below furnished as a music room, and that is how Flora Gill Jacobs' mansion was furnished. For this photo, the hinged roof sections were removed so you can see the roofs and chimneys, but they normally swing up and are held upright rather cleverly with thin metal rods attached to eye screws. This photo also shows that the bathroom furniture sold a this time was the painted plaster set made by Wisconsin Toy Co. A cast iron Alaska refrigerator in the pantry and a commercial cast iron range in the kitchen are also from other manufacturers - Tynietoy did not manufacture these items and so they sold such necessities as manufactured by others. The rest is pure Tynietoy. Of course, in addition to its outstanding size, a feature that really sets the Mansion apart from all the other Tynietoy houses is the hand-painted mural in what the company called the music room on the ground floor. Herb Hosmer used to say that the mural was copied from one in an historic house in Haverhill, MA that he saw advertised for sale in Yankee Magazine. Haverhill is indeed home to some houses with Rufus Porter-style murals, but the documented houses I have researched don't have anything that really looks that much like the Tynietoy mural. Nor does the mural look anything like the gorgeous wallpaper in the Beckwith Mansion where the Handicraft Club provided space for Marion Perkins to make the first Tynietoy furniture. Based on signed murals I have seen in another, very special custom-designed and built Tynietoy house, I'm quite comfortable conjecturing that Sidney Burleigh designed a prototype mural for the Mansion and his "pattern" was used by other artists to decorate the Mansions offered in the catalogue. The design does borrow some themes from Porter school murals, but I think it is an original composition just for Tynietoy. The other wonderful hand-painted detail that distinguishes the Mansion is the hand-painted border used in the nursery. Usually located just above the baseboard, the border featured little yellow ducks or bunnies in profile and sometimes both! The painting in both rooms was done before the Mansion was assembled and so it is pretty typical to find that the corners don't always match exactly, and sometimes it appears that the walls were painted by different artists. The proportions of the rooms in the Mansion are particularly pleasing. While there are similarities between the Mansion and the New England Townhouse, the Mansion features more spacious hallways and, of course, the second set of stairs to reach the third floor. The third floor's gambrel roof provides comfortable space for bedrooms for children and staff, as the catalogue photo shows. While some people also furnish the attic floor of the Townhouse, it always strikes me as looking cramped and uncomfortable when attempted. And with the only access being through a hatchway reached with a ladder, I feel like the attic of the Townhouse is really not that useful. But the third floor of the Mansion offers so much more opportunity for decorating! The Mansion features five fireplaces: two full-size ones in the dining and music rooms on the ground floor, two more full-sized ones upstairs in the library and master bedroom, and then a smaller one in the nursery that is usually painted brick red, but occasionally white. The upstairs fireplaces add a little more formality to those rooms and the chimney breasts conceal the electrical wiring going up to the third floor. Every Mansion I know of is wired for electricity, although Herb Hosmer wrote that his did nor originally have it and it was added by Tynietoy at his request. I will be discussing the Mansion further but for now, scroll down and enjoy reading about the last Tynietoy Mansion I purchased that now belongs to the Handicraft Club in Providence, RI. A Tynietoy Colonial Mansion from 1935 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
My last Tynietoy Mansion had something of an odyssey. After purchasing this beauty in the summer of 2012 from the family of the original owner, I had the wonderful and unique experience of unpacking all its contents, including some rare and unusual items, and also reading through documentation the family sent along with house. It included original correspondence and large glossy photographs from the Tynietoy company. A major reason I was keen to purchase this particular Mansion was that the house had been known to me previously from its appearance in Caye MacLaren's out-of-print book This Side of Yesteryear , and I was intrigued by its provenance, its music room mural and interesting contents. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
When the Mansion arrived from southern California, the roof, doors and window shutters had been over-painted with black paint during the 1970's by the previous owner's son. For several days, I spent hours stripping the repainted roof while the house was perched on my kitchen table, and I worked on the doors and shutters in my studio. Using an original painted shutter from another Tynietoy house, I matched the original color and "refreshed" the color in areas that had faded or been damaged earlier. The exterior walls had also been repainted around the same time, but I noticed that under the white latex paint, the original paint had cracked and flaked so I left that paint as I found it. The Mansion came with all its original marbled steps and chimneys, so once the paint issues were addressed, I could play! | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This is how the interior was furnished when the house
was displayed by the original owner's family. It was furnished with a
combination of original Tynietoy furniture purchased by the owner's mother
and grandmother and augmented with items of American, German, and British
manufacture including a rather sweet yellow nursery set and various pieces
of English Westacre furniture that didn't quite match the scale of the
house and its other furnishings. The dolls were German and some
needlepoint rugs were added in the 1970's. All the rooms retained their
original paint except for some areas where the white trim was touched up.
While I had intended to keep the house just as it was, I gradually decided that I already owned so much Tynietoy furniture that the house would be more satisfying to me if I replaced the non-Tynietoy furnishings with authentic Tynietoy. Also, a few of the rugs were over-scaled and some accessories were of more recent vintage and didn't seem to belong. All the furnishings were in excellent overall condition and had obviously been treated with care the entire time Ariel owned them. Many things were in incredibly good condition, which is such a refreshing change from what I usually encounter! Before I share photos of the rooms as I have redecorated them, I thought I would share some of the original details of the interior with the rooms empty so you can see the entire mural in the music room, and the hand-painted border in the nursery. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Here is a straight-on shot of the music room mural with its classic Rufus Porter style simplicity. While the trees and foreground have the look of being somewhat quickly executed, time was clearly spent on the details of the sailing vessels and garden pavilion. The murals were typically painted before the walls were assembled which explains why the shorelines often don't quite match up in the corners. In this room, you can also see the floors are nicely polished. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The trees look a little different in color and shading on this side wall. Many people easily recognize that back wall from published photos, but the side walls are not shown as often. There is a lovely and romantic little Greek dome-roofed gazebo or folly in the foreground. Curiously, no details of the landscape have been extended to the other side of the doorway. I love the graceful curves of the door pediments . | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The fireplace wall shows signs of paint touch-up in some trim areas and a noticeable difference in the perspective where the corners meet - it's almost as though different people painted each wall! But I truly appreciate the individual character of every wall in this room and because it is so obvious that the murals are painted before assembly, I am very dubious indeed about murals I have seen in a privately owned Tynietoy house where all the corners aligned perfectly and the paint had clearly "pooled" towards the bottom of each brush stroke indicating the murals had been painted while the walls were vertical and after the house was constructed - perhaps many years after the house was constructed. With only one previous owner, I have no doubts at all about the authenticity of this example. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The nursery located over the kitchen features a hand-painted border above the baseboard. The floor is painted and there is a small window besides the chimney. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Again, the walls were painted before assembly and in this case, the borders are different on the adjacent walls. The rear wall features ducks exclusively while the border on the fireplace wall depicts brown and white bunnies. I love this quirky oddity! | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Before peeking inside, a view of the exterior from the kitchen end of the house as it looked in its previous home. The hook and eyelet fasteners are typical and original in this case. It's important to keep the facades fastened when the house in not being viewed, to prevent warping. I have seen serious warping occur in neglected houses, and once a facade warps, the layers of the plywood are prone to separation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Although the focus is not the best, this overall view allows one to appreciate the spaciousness of the rooms and the hallways and how the rooms relate to one another. The attic rooms boast generous ceiling heights and reasonable freedom to arrange the furniture realistically. The primary rooms are quite spacious and the turning staircases are very satisfying in their realism and detail. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The elegant formality of the Mansion's entry hall is the result of the pedimented entablatures over the doors and the spaciousness of a hall measuring 9" wide. The Mansion also features dimensional door casings and baseboard moldings, polished stairs and mahogany stained stair rails and newels. My earlier house has all the woodwork painted white and the stair treads are also painted. The later, standardized finishes are much nicer. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The formal parlor was described as a music room in the catalogues and it is probably the only room of all the houses big enough to accommodate the rare Nellie Custis harpsichord shown here. There is no need to hang paintings on the walls as the hand-painted mural actually looks better without any additional decoration. The secretary with tombstone doors is also a rare piece. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
One of the things I like so much about this dining room is the soft shade of gray on the walls that is so 1930's. In some ways austere, it allows the furnishings and decorations to really take center stage and the beautifully finished floors in this room, as in the others, sets off the jewel-like colors of the fine petit point carpet to great advantage. The classic Tynietoy candlesticks in the dining room are all plated with silver. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The upper hallway features a second staircase just as nice as the one below and is roomy enough for both a lowboy on the wall and telephone table tucked into the corner in front of the bannister. The woven carpets are Tynietoy and the folding screen in the background is exceptional. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I love the room over the parlor furnished as the bedroom for the grandparents. A number of rare pieces decorate this room including the rare Chippendale chest of drawers, very rare Mt. Vernon wing chair and several pieces painted with a faux maple finish. The small lamp is also quite unusual. The very fine floral rug is made from French knots. It is interesting that this second floor room came with a built-in fireplace, but the room across the hall did not. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The master bedroom is furnished with a rare Mt.Vernon canopy bed with original fringed canopy and candlewick bedspread. The high boy with scrolled pediment is far less common that the version with the flat top, and the four-drawer chest is marked Tynietoy but never appeared in any catalogues. The fireplace is freestanding. My earlier Mansion has a built-in fireplace in this room. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The top of the stairs to the attic level opens to this modest but spacious hallway. The corner chair is a rare Tynietoy piece. All the rooms on the attic level contain electric fans since it must get really warm up there in the summertime. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
When I first received this house, this room was furnished with bright yellow painted German furniture. It was a very darling set but I preferred to use predominantly Tynietoy furniture while staying with the same dominant color. Two of the framed paintings in this room are by American illustrator, Grace Drayton. The small painted chest is by Roger Williams, another Rhode Island toy company devoted to making Early American furniture. They were not in business as long as Tynietoy was so the furniture is actually more rare than Tynietoy. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This room has a special feeling for me. The French cottage bedroom furniture is painted a soft grey with delicate floral decoration rather than the very common blue or pink and I've added some other furnishings with green paint complimenting the green accents in the finely braided rug. The sailor's chest on the right is an unusual piece and the floor lamp features a hand-painted rendering of Betsey Ross's house on the shade. The pink blanket folded at the foot of the bed is a rare Tynietoy accessory. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The kitchen ell is so distinctive on the Colonial Mansion. Where the New England Townhouse features only a kitchen with upstairs bath in the ell, the typical Mansion is configured with a smaller kitchen and a butler's pantry downstairs and both a small nursery and bath above. In some houses, the tile floor may extend into the pantry, but most of the houses I have seen are finished like this one. The kitchen tile floors are usually black and white. I found this ktichen a bit cramped and hard to decorate with insufficuent room for the open dresser, but kitchens in the 1920's and '30's tended to be a bit small and cramped. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The nursery features a fireplace painted a solid brick color and one tiny window just above the mantel. My earlier house has two windows in this room. The floor is painted a solid gray while the bathroom has a blue and white painted tile floor. Some houses have green and white tiles. The German cast metal hair dryer is a wonderful accessory. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In another view, the bathroom is fitted with a Tynietoy mirrored medicine cabinet and a small kerosene room heater - those tiles can be so cold in the winter, you know! | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The house came with some things that one does not often encounter within a Tynietoy house, including some rare furniture pieces made by Tynietoy that did not appear in the catalogues, and some accessories that are listed in the catalogues but not often seen. Some examples follow: | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Tynietoy sold silver tea sets and some have supposed that the ones they sold were the familiar Edwardian style sets made in early 20th century Birmingham, with fluted sides and sitting on a wooden tray with silver gallery. From the catalogues and correspondence that came with this collection, I know that this is the silver service Tynietoy sold around 1935. None of the pieces is marked and I would say the quality is not terribly fine, but an improvement over the crude Britannia sets more frequently encountered. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I am much enamored of this stately four-poster bed with fringed canopy and candle wicked bedspread. So classic, but so rare to have this bed with turned posts. Since I first posted this photo, I came across an old Tynietoy price listing that seems to describe this bed as a replica of George Washington's bed at Mt. Vernon and it was priced at $20 in the mid 1930's - quite a sum! So far, it is the most expensive individual piece of Tynietoy furniture I have seen documented in terms of original prices. Even the rare Rising Sun chair and matching desk cost less. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The canopy is easily removed to show the turned and tapered bedposts and the elegantly curved headboard with side cut-outs that differ from the usual canopy bed, but it is somewhat similar to another unusual Tynietoy bed I own. I have seen only one other example like this bed. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Mt. Vernon wing chair was one of the reasons I purchased this house. It is so rare that I have only seen one other example in person and only a photo of one other. I placed it in the grandparents' bedroom. The legs are almost exaggerated in form but are a pretty accurate rendering of the original in Washington's bedroom. If anyone else has one, I'd love to hear from you! (2.21.2015) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Some of the furnishings were acquired by the original owner's parents while travelling overseas and I was quite keen to have the Westacre pieces from England. Here is the folding screen:
I think this hand-painted screen is simply stunning and compares quite favorably to the work of our more recent miniaturists. For example, below is a larger screen by Linda Wexler that was recently given to me: Here is a sampling of other Westacre pieces that came with the house:
I think of Westacre furniture as a bit like an English version of Tynietoy because the business was begun and operated by a lady of refined taste and the hand-painted details make each piece unique. And these examples have held up so well over time!
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Just a few additional comments about the Tynietoy Colonial Mansion before examining the other house models: The Mansion's exterior was painted Antique White with an enamel paint. Many houses have seen their paint split and chip with time, and the peacock blue paint used to outline the front door can become worn away. It can be difficult to decide when things are so bad they need to be addressed. Professionals say preserve and conserve before you "restore", and renovate only as a last option. The Mansion is so rare that a conservative approach should be used when possible, but when the condition is so bad that it seriously detracts from the overall impression of the house, I feel it is okay to touch up and in rare cases, to completely restore. With the closure of so many museums devoted to toys and dollhouses, there just aren't that many original houses on public display, so it is important to try and keep your house as close to original as you can. A coat of bright white latex paint on a "restored" Mansion is not a pretty sight. So use a gentle touch when attempting to restore. The roof and shutters were typically painted a deep green but some houses feature a green with a bit of a blue tinge. My house's roof had been overpainted with a glossy black that was pretty easy to remove and well worth doing. The roof on my earlier house was originally painted grey and then over-painted Spanish brown. I preferred the brown as it reminds me of cedar shingling, so I left it that way. Part of my roof was missing when I got it so I went with the brown when I replaced the missing parts. It's a tough call, but I did preserve the original gray under the removable chimneys in case a later owner wants to go that way. The celluloid used for the windows typically yellows with age, sometimes to the degree that it looks like the house is inhabited by heavy smokers! It is not at all uncommon to find a house with damaged or missing windows. You won't find the right replacement at your local dollhouse shop, so what I do is use the heavy plastic that comes with report covers and paint the mullion lines myself. First I make a template by drawing and inking the grid pattern with wide margins on an index card or piece of graph paper and I tack it to a piece of soft scrap wood. Then I cut a piece of plastic and tape it over the grid with blue painter's masking tape and use a cream-colored acrylic paint and a small round paintbrush to copy over the grid. It usually takes at least two coats to achieve enough paint coverage, but I take my time and allow the first coat to dry thoroughly and end up with a pretty good substitute window. The first windows made by Tynietoy were handpainted and they later employed a silk-screen process. The stained and varnished floors impart so much character to these houses. Sometimes the varnish dries out and cracks or chips off and in serious cases, the plywood may start to buckle and lift. I advocate a slightly more aggressive approah when it comes to maintain the floors as a badly danaged floor not only detracts from the appearance of a house but may even threaten the structure integrity while making it hard to place furnishings. I think it is okay to repair lifting floors by splitting the top layer with a very sharp blade along the grain, injecting glue into the split and after cleaning off any residual glue, I use old flat irons to weigh down the floor while the glue dries. Then a gentle sanding, a light application of stain and a new coat of varnish can make a huge difference. Otherwise, a gentle cleaning followed by a little polish of Butcher's Wax is all that is normally needed. Many houses have experienced a well-meant re-painting of the interiors. Sometimes it's not too intrusive and can be left as is, but when it's clearly a case of removing something inappropriate, go for it. You may find the original paint in good condition underneath, otherwise you may need to paint again in original colors. Just remember to use an eggshell finish on the walls and satin on the trim as modern glass paint looks too shiny in an old doll house. As for window treatments, Tynietoy used a unique system for hanging curtains. They used small brass wall hooks and tiny springs rather than curtain rods. The hooks catch the tiny loops at each end of the spring and the tension of the spring creates a straight line through the header of the curtains. You can see the wall hooks in the photos of the Mansion shown above and a close-up is provided below. The hooks are very rare and usually only to be found already attached to houses. 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The New Model House |
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In 1929, Rhode Island artist Sidney Burleigh designed the line of Spanish colonial furniture that was produced by Tynietoy for a brief time in the 1930's. Designed to appeal to collectors in California and the American southwest, it enjoyed very limited popularity and appeared in the catalogues for only a short time. It doesn't really display very well in Tynietoy's classic New England style dollhouses, and that might be part of the reason that the New Model house debuted in 1930. The most complicated Tynietoy house in terms of construction, the New Model house is the rarest house of the larger houses. It featured a hip roof and a curved, Regency style portico at the main entrance, both of which required skilled construction. The inglenook fireplace and staircase are also a bit complicated. Former employees remembered that Frank Battastini was tasked with making the more complicated parts of these houses, and the house was eventually discontinued because it was so complicated to build. I know of only three original examples and one skillful replica of this house, but there must be a few more of them out there somewhere. The entrance to the house is located on the left side and the facade facing the viewer comprises two removable panels with double windows and hinged, folding shutters. The ell to the right is enclosed with a sliding panel behind a double-story porch. With the interior staircase located near the front door, the upstairs rooms are a little awkwardly connected and the middle room must be passed through to access the bathroom over the kitchen. Consequently, the first upper floor room functions better as a sitting room or library than a bedroom, leaving only one useful bedroom. Since the Spanish furniture included only one style of bed, the New Model house works well with the Spanish furniture line. The New Model house was painted yellow with blue roof and shutters, although I would not be surprised if one turned up with black details instead. The only built-in fireplace was located under the staircase, oddly enough, and there are doors leading to the two porches. The late Herb Hosmer, who did so much to popularize Tynietoy in the years after the company went out of business, recalled seeing one example without a porch. |
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The New Model House was priced at $98 in the early 1930's when the Mansion cost $210 and the Townhouse could be bought for only $98. Since the Townhouse had six clearly defined rooms PLUS two center hallways, it probably seemed like a better value at the time and that may explain why the Townhouse was so popular and so many have survived, especially when compared to the New Model House. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The late Letty Schwarz had one of the few authentic New Model houses I know to exist and in the above photo, one can observe the sort of railroad-car arrangement of rooms. The front door is located all the way over on the far left and the staircase with inglenook fireplace below is located in the same room. The staircase open up to a room above that has been furnished as a child's bedroom which must be traversed to access the master bedroom and bath. The elimination of any sort of hallways is in some ways a space-saver. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A closer view of the parlor demonstrates an appropriate setting for the the rare Spanish furniture that can look awkward in other houses. The bench to the left, the table in the inglenook and the vargueno, painted chairs and small bench to the right are all from that elusive line of furnishings. The little nook under the stairs on the left is perfect for the telephone table and chair. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This view just inside the front door shows the intricate design of the sidelights with panels below - one of my favorite features of this house and its placement at the side of the open parlor allows the viewer to enjoy it more than the front doors of the Mansion and Townhouse that are centered in the removable front facades. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The middle room on the ground floor is typically furnished as a dining room but in this case, Letty used the Victorian furniture for a parlor that can rearranged as a dining room. The door to the kitchen is tucjed away toward the back behind the fireplace. This room and the one above it are quite spacious. The dolls are by Marion Winters and were sold through Tynietoy, but probably not exclusively so. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
One of the things I enjoy about this room in the New Model house is the way the door to the bathroom is located toward the back of the house. So often the interior doors are quite close to the front of the house, the way the door on the left leads into the upper front hall room. The door to the bath is on the right, tucked behind the fireplace and avoids a shotgun effect so common in other houses. The pretty hooked rug in the front is from Chestnut Hill and the painted hatbox on the desk is one of my creations, custom made for Letty. Although the room appears to be repainted, it retains original Tynietoy curtain rod holders on the windows. The New Model House is so uncommon I know of at least one replica house built for a collector who despaired at ever finding an original one. I normally see Townhouses sell for $3000 to $5000 on average - certainly some sell for far less and others sell for more. I can't tell you the cost of this house but its rarity means it should probably rival the Colonial Mansion in value these days. (3.2.2015) |
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The New England Townhouse |
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Of all the differnt models of dollhouses made by Tynietoy, the New England Townhouse was by far the most popular and its availability today is a clear indicator that the company sold more of this model than any other house. With architectural that so strongly echoes the antique houses one could walk past in any New England town, the design closely approximates a very familiar classic 18th century Georgian colonial house design so familiar to residents in Providence or Newport. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A classic New England center hall colonial of the type that inspired Tynietoy's New England Townhouse. In order to provide easy access to a kitchen and bathroom that was likely located to the rear in a real house, the dollhouse was designed to have an ell to one side, like the Colonial Mansion, although not as large. Because so many examples of the Townhouse survive, a number of variations have appeared in theses houses over the years with notable differences in terms of the placement of doors, windows and fireplaces, and different finishes ranging from the simplest painted architectural details to examples with nicely molded door and window trims. Over time, I have come to identify three primary types of Townhouse. The deluxe model or "Model A" features built-in fireplaces on the end walls in true Georgian fashion, nicely stained and varnished floors and interior doors and very detailed dimensional door and window trim. My first Tynietoy townhouse was this type, shown below as I originally found it. |
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I found my first Townhouse on the floor of the Dollhouse Factory when the first shop owners were preparing to close the business. It had spent some years in attic of the building awaiting a day when Bob Dankenics planned to open a dollhouse museum, and as the Dankenics were divorcing and selling the business, they emptied out the attic and broght all the old dollhouses intpo the shop to sell. I was fortunate to see it very soon after it arrived in the shop, before a price had been decided, and I pleaded with Judith to let me have first crack at it once a price had been determined by Bob. He wanted $2500 for it but Judith persuaded him to sell it to me for $1995 because I was a longtime customer and she knew how much I wanted the house. Up to this point I had despaired of ever owning a Tynietoy house and when she called me, I agreed immediately. I never imagined I would one day own two more Townhouses and two Mansions! I already owned enough Tynietoy furniture to fill my first Townhouse but before I could decorate it, some restoration was in order. As you can see from the photo above, one of the chimneys was missing, but the remaining chimney provided the perfect template for a replacement. Also, you will note that the classic shutters were also missing from the facade. In the weeks following my purchase of the house, two loose shutters were discovered in some filthy boxes of German furniture that came down from the shop's attic so I was able to use them as templates for replacements and to computer-match the color. The original creamy white paint was left as it was found even though some small areas of the plywood had split or splintered with small lost fragments. I don't have a problem with an 80 year-old house, showing its age, but I was truly grateful the original windows were all still intact as was the door knocker and boot scraper. |
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I apologize for the poor quality of this old picture that shows how my first Townhouse looked when I first brought it home. The house was quite dirty and dusty and a previous owner had made some modifications that I needed to undo. The master bedroom had been transformed into a sitting room, I think, with the addition of a green chintz fabric on the walls and popsicle stick wainscot glued to the walls. The Tynietoy corner cupboard was locked in place by the wainscot and the floor had been painted green with yellow and red spatter work. The curtains in the kitchen and room above appeared to be original Tynietoy textiles and I kept them while the other curtains seemed dubious and were eventually replaced. Notice that the doorways off the center hall never had doors and someone installed portiers in the open doorways. In this house, the back door is almost entirely behind the staircase - the location of that doorway can vary from one house to the next with some very centered and others not so much... All the doors and windows have dimension trims both inside and out - a feature that other houses sometimes lack. The ground floor fireplaces are built in place and feature hearthstones painted directly onto the floor, while the bedroom fireplace was a later addition. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
My Townhouse with the missing chimney and shutters replaced. Original Tynietoy potted shrubs, sundial and benches are sited in front of the removable facade. There are three hooks on each side of the main part of the house and two on the kitchen ell. It has always seemed a little odd to me that the facade of the Townhouse features flat giant order Ionic columns at each end, and dimensional door trim while the Mansion presents a much flatter facade with the door details painted on instead. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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A full set of photos of this Townhouse can be viewed further down this page, but I include an interior view here to show how the rear door is completely behind the staircase. The Model "A" house was sold with detailed interior door and window trims, but I added baseboards and cornices to my house a more formal feeling like a Colonial Mansion. And my house was wired for lighting at the factory. Lesser quality Townhouses may be found without wiring and with painted faux moldings and photos of other houses follow. |
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Another "A" model house shows the original pale yellow paint color of the major rooms, and the painted floor of the kitchen. While the kitchen and bath in the Mansion was painted in a checkered painted finish, the Townhouse floor was usually painted green, sometimes solid, sometimes with red and yellow spattered effect. Lesser quality townhouses sometimes had a grey floor. In this house, the owner added built-in shelving to the kitchen. Note the position of the kitchen door is the reverse of the previous Model "A" house, and the rear door is centered in the back wall. Unlike the Mansion, most Townhouses do not have interior doors in the main part of the house, but often have doors to the kitchen ell. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
My earliest Townhouse is a "B" model featuring exterior trim and shutters, and a combination of dimension window trim and painted door trim inside. The original exterior paint is very flat and white as opposed to the glossier ivory color of my later "A" model house. Also, the roof is painted Spanish brown, like my early Mansion. This house was purchased at a local auction house and was not correctly catalogued as a Tynietoy house, so I was able to acquire it for a very modest sum. Like my early Mansion, the interior floors do not have the nice finish of later houses. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The interior of my early Townhouse features walls painted flat ivory rather than the pale yellow seen in later houses. An interesting feature is the opening in the ceiling of the upper hallway providing access to the attic. In this example, the opening is framed with routed channels on each side to hold a sliding stained wooden hatch door that is quite ingenious. In later houses, they are usually just a plain rectangular opening. Although the interior windows are finished with trim, all the doorways are outlined in paint with the familiar turquoise paint. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Since the floors had a "dry" look, after cleaning them I applied and rubbed a thin coat of butcher's wax on them and they came up very nicely. This "B" model house came with original electrical wiring and I left all the walls as I found them rather than add the embellishments I had applied to my first Townhouse. I was amazed to realize I had enough spare furniture to decorate a second entire Townhouse when I got this one home! | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This kitchen shows a bit of wear, particularly around the door. I made the red gingham curtains to match the ones that came with my first Townhouse. The painted door trim replicates a design used in Greek Revival homes from the early 19th century. The angled strip of wood in the right corner is not a cornice but actually a support for the room above. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The parlor, like the entry and dining room, features painted door trims with Georgian broken arch pediments, while the kitchen and upper rooms feature the more modest Greek Revival doorways. An unusual piece in the parlor is the secretary with mullioned doors - this piece is more often found with molded tombstone style doors and this example may be an earlier version as the finish is only stained with no varnish, like other early furniture. The simple lace panels are vintage ones that came with an even older dollhouse I used to own. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The bedroom contains some unusual Tynietoy accessories including the woolen blanket with silk binding, the blue glass vase decorated with painted flowers, and the washstand features a hand-painted German pot metal pitcher and bowl. Tynietoy imported these in a standard pewter finish and then painted them to look like china. Without a fireplace, this room lends itself to a layout where the bed can fit between the windows. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The blue painted cottage bedroom suite may be the most common bedroom set found. Not all the pieces in this set came together, and I made the mirror over the dresser. The felt carpet is quite unusual to find in a room-size like this one and the colors compliment the furniture and curtains. In this version of the Townhouse, the door to the bathroom/nursery is located closer to the middle of the wall than it was in my first Townhouse so there isn't even room to place a freestanding fireplace as I did in my other house, so the electrical wiring is left rather awkwardly exposed in the upper wall. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The room above the kitchen is usually decorated as a bathroom, and is shown that way in the catalogues, but I prefer to do it up as a nursery. This bedroom suite is an early one as you can tell from the style of the chair in the corner, and the decorative painting is so delicate - this was one of my favorite sets. The painted bench is also an early one that came with my purchase of a 1922 collection described on the site. The floor is painted a pretty blue slightly darker than the same room in my first Townhouse. While some collectors might not like an early house like this because it is simpler, perhaps even more crude than later examples but I liked the simplicity of this house and felt it had acquired a certain dignity with its advanced age. |
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My last Townhouse was an "A" Model that had previously been displayed at the Marion Mahoney Museum in Ontario. I include it here to show you an example of a house that needed a lot of work to bring it back to its original dignified design. In this photo, you can observe that some of the side windows never had shutters - there are no nail holes in these window moldings to indicate that they once has shutters. The exterior was repainted but I think it needed it since I can see a lot of crackling under the repaint. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Pretty ghastly, right? Hard to believe this was in a museum in this condition. The partitions in the attic were added by the previous owner, as were the unattractive wall and window treatments. It was no simple job removing all that wallpaper because she applied with with massive amounts of PVA glue instead of wallpaper paste. She also removed the original electrical wiring an did a sloppy job of filling the routed channels in the ceilings with wallboard spackle that I had to dig out and redo. It was a dreadful project but worth the effort, I think. I hope you agree! | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I felt this house had been abused by its previous owner so after all that mess had been removed, I wanted to treat the house to cornices and baseboards. I did not have it for very long as it became a wonderful Christmas surprise for someone I knew just a few months after I got it. Do note that position of the kitchen door located nearer to the back of the house, unlike the previous two examples. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I characterize this example as a "C" model house. The fireplaces are placed on the rear wall and while the interior windows feature flat wooden trim, the door trims are painted on. It is not electrified. It is still a perfectly lovely house, but may date from a time when the company was struggling financially and looking for ways to economize a little. The fireplaces may be a sign that the house was never intended to be electrified - in "A" houses, the fireplaces are located on the side wall and conceal some of the wiring. Model "B" houses may also have simpler exterior details. This particular house features painted window trim on the exterior, including the shutters. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This view of the kitchen ell shows the simple exterior with its painted details. The condition is not the best, but it is still unmistakably Tynietoy. Other Model "C" houses I have seen include an example where the facades of the house were made from recycled packing crates with the original labelling still showing on the inside. Also some examples feature windows with no interior trim at all, just celluloid windowpanes nailed in place. Other houses may feature customized details like the one shown below: | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In this example, someone has added
parallel lines to indicate clapboard siding and also painted the shutters
to look like louvered ones. Compared to what was done to the one at the
Mahoney Museum, this modification doesn't really bother me at all and in
fact, I find it rather sweet. I doubt it was customized at the factory.
There are enough Townhouses out there that I think it is not the end of
the world when someone makes modifications as charming as this one. I do
remember once seeing a Mansion that someone had Victorianized with
Eastlake-style gingerbread trim - that made me wince. And check out the
chimneys.
In the 1970's, a man outside Atlanta built 12 Townhouse replicas for members of a local doll club. One ended up with a noted collector, Catherine Caldecott, but she died some years ago and her house has presumably moved on. I have seen a number of houses quite clearly inspired by this classic dollhouse including one with an ell on each side, one at the RI Historical Society, some on ebay and other auction sites, but they never have the same "presence" as an authentic house. |
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The Nantucket Cottage |
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The distinctive form of the Nantucket Cottage endears it to many collectors. The saltbox shape of the roof, the little entrance hall and the under stairs alcove lend a certain coziness and informality to this house. I have not seen very many authentic examples of this house, but I have encountered a few made by former Tynietoy employee Melville Davey and some clearly made from the plans published in The Ladies' Home Journal in December 1920. My own Nantucket Cottage is a replica, but the few authentic Nantucket houses have had five rooms while most replica houses have only four and seem to be based on the magazine plans. Some very early Tynietoy houses were built using 1/4" plywood but only for a few years. Most authentic houses from the busiest years of production were made with 3/8" plywood. Replica houses tend to be made of 1/4" plywood which was specified in the magazine plans. Mel Davey's replica houses seem a little clumsy to with awkwardly scaled doors and windows, poorly painted window muntins and oversized hinges. They just look a little off, somehow. He told some people that he made some of them while still in the employ of the company, which sounds a little problematic. I find most of his work was done in the 1970's after a surge of interest in Tynietoy appeared among collectors and in magazines, so I'm doubtful that he made Nantucket Cottages while he worked for Tynietoy. |
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The Nantucket Cottage as shown in the catalogue features a front door on the left wall, like the New Model House, and always came with the little garden in front. The removable front facades feature hand-painted hollyhocks that were most likely painted on the floor of the factory as opposed to the way the furniture was painted offsite. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This authentic example is probably from the earlier years of manufacture and the exterior trim is painted on. The facade has cracked with age but does not diminish it the house's appeal. Notice that the kitchen lean-to has a more shallow pitch than the rest of the house, with its own separate roof. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The front of the house displays an asymmetrical window arrangement, more hand-painted hollyhocks and the classic picket fence encloses the small garden. I can't look at this picture without imagining how delighted some little girl must have been to receive this house when it was new. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This view of the Cottage shows the delightful detail of a gutter where the lean-to connects to the main house, and the very rare green painted rain barrel positioned below. The hollyhocks are very quaint and paired with some sea-grass to remind us of Nantucket and Cape Cod. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This is an original glossy publicity photo from Tynietoy which I am using here because you can see the details of the interior despite the creases. The roof extends in one piece right over the kitchen lean-to and the door to the kitchen is sited in the middle of the dining room wall. The low end of the bathroom wall is about 4" high so it can still accommodate some items of furniture. In the four-room version of the house, that wall in only about an inch high. The enclosed staircase in obscured behind the parlor wall between the two arches. IN four-room houses, the dining room does not have a window in the back wall. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In this original Cottage, the kitchen door is placed to the rear of the dining room,. It took the owner of this house years to assemble a set of rare yellow Windsor chairs in the dining room. Note the ladder in the bedroom used to access a hatchway in the roof for access to the Captain's walk. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The parlor of this Nantucket Cottage shows the owner's determination to furnish the room as it was shown in the catalogue. I love the little Nantucket basket on the floor next to the settee. . |
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This vintage replica house was made by Mel Davey and was formerly displayed at the Delaware Toy and Miniatures Museum. Mel's wife, Elizabeth, painted the hollyhocks and from this picture you can see the overs-sized door hinges and how the window muntins are a little crudely painted. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The interior windows have no trim and are just nailed in place. All the floors are painted and the staircase banister in the bedroom is noticeably shorter than shown in the catalogue photos, with very simple post without caps. If you look closely at the way the room dividers are attached to the floors, you'll notice that Mel did not route out a channel for the walls to rest in but inserted a separate piece of channeled wood instead - he may not have owned a router. Also, the plywood used to construct this example is only 1/4" plywood - just like the plans in the LHJ article. This house sold for only about $600 at auction, plus premiums and tax. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A
Homemade Nantucket Cottage I
built this house in the Spring of 2002. The design was based on the
dimensions given in the original Tynietoy catalogues and also
influenced by the design published in the December 1920 issue of the
Ladies' Home Journal. Its construction was described in detail in my
article published in Miniature Collector's August 2003 issue and I
have altered some of the furnishings since the article was
published. I used 3/8" finished plywood to construct my replica
house so it would look more like the one pictured in the
catalogues. The
bureau displays a tiny gold pin with an equally tiny photograph
inside it - perfectly scaled for a dresser top, and a tiny antique
wooden penny doll is seated beside it to create a sweet vignette.
The cushion on the wing chair was made from an old embroidered hanky
with vintage lace trim added. The
chair below is the very rare ribbon-backed side chair, copied from a
set of such chairs at Mt. Vernon and offered in later catalogues as
a special order. I've seen only two others. The intricately carved
back of this chair is typical of the artistry of George
LeClerc. (2.11.09) After the magazine article was published, a
fellow collector used my drawings to make his own Nantucket Cottage,
with some modifications. Here is how his turned
out: The
Village House In
some ways, the Village House is the least interesting of all the
Tynietoy houses while also being one of the rarest. I know of only 5
authentic examples but I imagine there are others out there that
have escaped notice because they are less interesting and
recognizable than other houses. With only four very basic rooms and
a very simple, unrealistic-looking staircase, I can imagine
potential customers comparing this house to others and then finding
some other option more desirable. The exterior is severe in its
simplicity without any sidelights or transoms to distinguish
the doors and the roofline is also quite basic. I've never seen
or heard of an example with rear windows so the interiors are
comparatively bland. The
catalogue photo shows the removable front facade and the side door
with an arbor. The right side of the house has two windows below and
one above and the back is solid. In the color photograph, the
original yellow ochre color is visible and the doors are rich blue.
This example features dimensional trim pieces painted white and the
classic white chimney trimmed in black. The
former owner of this house thought it might have been assembled from
a kit as he found some components to be a bit rough, but the
catalogues never mentioned that it was available as a kit. It was a
comparatively inexpensive house priced at only $28.50 in the 1930's
when the Nantucket Cottage was $50 and the Townhouse was
$98. Another drawback to this house is the lack of a
dining room - Tynietoy made so many different styles of dining room
sets. It seems a shame to try to squeeze any sort of dining area
into the two ground floor rooms and when people try to, it makes the
small house look even more cramped than it already looks. So the
room to the right is invariably furnished as an eat-in kitchen and
the other room with the staircase serves as a parlor. The open area
under the stairs is awkward and the catalogue photo suggests placing
a bookcase there but I think the Astor piano looks better in that
dark corner of the room.... The
top of the stairs open into a room the same size as the parlor
and the stairs face the doorway into the smaller room that is
sometimes furnished as a bathroom. The second floor rooms are open
to the roof ridge and that helps to make them feel a little more
spacious than they really are. This house is only 28" wide - a
Townhouse is just over 48" wide! Someone with limited space
would find this house a lot easier to accomodate! Thank you to
Les Payne for his photos. (6.15.2015) An
Unusual Tynietoy Fireplace Among the archival Tynietoy papers and
photographs I acquired last year were several copies of this
photograph showing a fireplace with unusual decorative mouldings.
The other Tynietoy items in the photo are all familiar from
the catalogues, although the lamp is a less common electrified
version (more about that later). The fireplace I've posed in front
of the photo was removed from a vintage Massachusetts dollhouse
later moved to California that had been furnished with Tynietoy and
other vintage furniture. The owner damaged it in removing it from
the wall where it had been attached and the rear of the firebox was
still painted black on the wall, so it never had a paper or
cardboard backing. This fireplace is unusual in that it is
stained rather than painted, it has an applied composition
decorative molding and it lacks a marbleized or brick painted face
around the firebox. Also, the hearth base has a brick-textured
finish which may have been added by a later owner, although I see no
earlier finish in the areas where the texturing has chipped off. It
is the same basic size as a Tynietoy fireplace, it has the
distinctive stepped mantel and it has routed fluting on each side
that matches that found in some fireplaces built into later Tynietoy
houses. I suspected it was Tynietoy when it came in the box with all
the furnishings I bought from that house and when I later found this
photo documenting an authentic fireplace with applied composition
decoration, I felt more comfortable attributing this unique
fireplace to Tynietoy. (2.6.09) Tynietoy Floor Lamps A
short note about Tynietoy's proprietary wooden floor lamps. They
were made in at least two versions: one was electrified and the
other, which is far more common, was not. The non-electrified
lamp stand was turned from a single piece of wood and finished in
what Tynietoy catalogues listed as a mahogany stain (but the effect
is more like walnut) or painted - often black but also in other
colors such as Chinese red or gold. The electrifed lamp is shown in
the photo on the left next to a copy of an original Tynietoy
archival drawing dated 1927 that shows how the lamp was assembled
from four separately turned components so that the interior
could be hollowed out for the wiring. The lamp shown here is made
from hardwood, which would have made it stonger to withstand
the drilling of the interior. The lamp shade frames are
very similar, with an opening in the center for the electric light
bulb in the electrified version. Frames were also sometimes
made from solid pieces of metal, much like the lid of a small tin
can, nailed directly to the base. The electrified lamp was
priced originally at $1.75 and later $1.85 in the catalogues while
the non-electrified version remained at $1.00. Tynietoy lamps are
moderately difficult to find and were sometimes subject to damage in
vulnerable spots. When they are missing their shades, they are
sometimes mistaken for coat racks by some vendors! (2.8.09) Dating Tynietoy Houses and
Furniture There
are distinct differences and subtle variations that can help
collectors estimate the relative age of their Tynietoy houses and
furnishings. The features discussed in the following paragraphs are
based on my personal observations and on painstaking research
conducted by long-time collector Letty Schwartz, who personally
researched Providence city directories and interviewed former
Tynietoy employees. In recent years, several individuals have
published her research in magazines and on-line without properly
crediting her – that's not happening here! The generalizations made
here are just that, and there are almost guaranteed to be
exceptions. But if your Tynietoy house or furniture displays several
of the characteristics described here, you should feel comfortable
assigning a probable date. With houses, construction methods
and paint finishes provide the clues. The
most commonly found Tynietoy house is the New England Townhouse.
Earlier versions of this house (as well as the Mansion) feature a
fairly bright white painted exterior with a chalky matte finish,
almost like a primer coat, with the roof painted a dull Spanish
brown or battleship grey. The kitchen wing is sometimes built as a
separate structure that can be removed from the main part of the
house by unscrewing small joining plates on the back of the house.
Inside, the door trim is usually outlined with blue or turquoise
paint, and the fireplaces may or may not have a chimney breast. The
opening in the second floor ceiling for access to the attic features
a sliding panel, which is usually absent in later houses. Side
windows may not have exterior shutters at all and inside, the window
trim is often fashioned from flat strips of wood with no contour, if
they are present at all. The floors are stained a nut brown with a
rather flat finish. Early multi-paned window sashes were
hand-painted, and looked it, while the later houses benefited from a
silk-screening production method and are uniform in
appearance. During
the Depression, Tynietoy struggled to survive and some of the houses
from that period seem to have been made from inferior materials. I
have seen such a house where the inside of the removable front
façade showed evidence that it had been made from recycled packing
crates. The
later Townhouses and Mansions have a creamy hard enamel paint finish
on the exterior and usually have a green or blue-green roof.
Contoured interior door and window moldings probably date to later
years of production, but they may be found on some early houses as
well. I find that later houses also seem to weigh a bit more than
early houses. Some early houses vary from the standard 3/8" thick
walls with interior walls or floors made from ¼" plywood and are
thus lighter in weight. The floors of later houses are finished with
a warmer reddish brown stain or a lighter maple stain and more
highly polished varnish. The
Nantucket Cottage can be confusing because apparently quite a few of
them were made from the plans published in the November 1920 issue
of The Ladies' Home Journal, and some
were also made by former Tynietoy employee Mel Davey over the course
of many years – in fact, most of the Nantucket houses I have
encountered are Mel Davey products. One should expect an authentic
Tynietoy house to be constructed of good quality 3/8” plywood,
whereas the copies were usually made from ¼” plywood. Also, amateur
copies frequently use over-sized hinges on the doors. Tynietoy
apparently made some larger variations of the five-room cottage
shown in the catalogues, perhaps as custom orders. Aside
from a few documented custom houses, perhaps the rarest of Tynietoy
houses is the New Model house, which it's believed was introduced
after around 1930. Few authentic examples are known to exist; at
least one facsimile example has been produced by dollhouse restorer
Jim Reus. Many
variations and differences distinguish early Tynietoy furniture from
later examples. Among the most obvious characteristics are examples
made from ¼" plywood, with little or no effort made to disguise the
exposed alternating grain. Plywood furniture feels heavier than
later pieces, which were primarily made from a northern New England
softwood called lignum vitae, although some special pieces were made
from mahogany. Early unpainted furniture was finished with a dull
brown stain and usually left unvarnished, creating a somewhat
unfinished appearance that some collectors find unappealing.
(Plywood continued to be used for parts of the Empire style tables
that were offered in the Victorian line of furniture.) Early fireplaces featured flat
wood pieces with faux paneling indicated with the same blue paint
used in the house interiors, while later fireplaces have carved
molding along the sides. Tynietoy's creators were very proud of their
enterprise and went to some trouble to register their trademark and
label their products to differentiate them from their competitors
both domestic and foreign, so most early items should display a
paper label or show some evidence that a label was once glued in
place. Of course, items like rush-seat chairs and sewing stands
didn't really have an appropriate place to affix a label, so there's
nothing to look for there. A paper label on furniture usually means
an item was produced before 1925. In the collection I acquired that
was documented from 1922, all the furniture displayed paper labels,
but the turned wooden candlesticks actually had navy blue
ink-stamped trademarks underneath, so the ink stamp was used quite
early on. The paper labels were printed on a cheap acidic paper that
darkened with time; they should be almost the color of a paper
grocery bag. I would be suspicious of a bright white paper label on
anything. One of
the few pieces of furniture made from mahogany was the tilt-top
table, which should have this paper label affixed under the top.
This table is from the Mt. Vernon collection, inspired by the widely
celebrated bicentennial of the first President's birth in
1932. Finishes on the furniture can also help to date
it. Tynietoy's artistic consultant, Sidney Burleigh, was reputed to
have re-designed the furniture line around 1923 and at that time, we
may suppose the finishes were improved from the matte look of the
early years. These later 1920's - early 1930's pieces with ink
stamps have the nice warm patina that appeals to many Tynietoy
collectors. There may have been some difficulties procuring quality
finishing products during the Depression, and these problems
worsened with the onset of WWII, when the military effort took
priority in acquiring materials and chemical products. Furniture
from the war years suffered from shortages of things such as quality
lacquers. Also, zinc and brass were reserved for military use so the
andirons and candlesticks made of copper probably date to that
period. Toward
the last years of production, a deep mahogany stain with an almost
purple cast was sometimes used, notably on the Victorian pieces and
the card table. Larger pieces appear to have been painted with
the aid of a mechanical sprayer for the base coat, or even dipped in
paint, but the decoration was always hand-painted. Stencils were
used for painting the lattice patterns on the walls of the gardens
and may have been used for some other things. Painted finishes
remained fairly standard through the years.
(11.21.08) Tynietoy Banjo Clocks One
of theTynietoy products that evidenced distinct design changes over
time was the Simon Willard banjo clock. The earliest version I have
seen comes from the collection I purchased this past summer
which has been documented to 1922, when it was priced at $1.50. The
design was presumably based on an authentic antique but is
somewhat crudely rendered. This earliest clock features a deep case of
solid wood painted black with hand-painted panels on both the bottom
pendulum case and on the sides. The paper clock face reads seven
minutes past eight o'clock. Both the finial and the scrolls on each
side are made of gilded wood and there is no bottom finial. The
pastoral scenes on the painted panels are executed in a rather
indistinct manner. A Gambrel - Roof
Colonial Furnished with Tynietoy The
other attic bedroom is papered with old drawer liner paper (helps
this dollhouse smell nice when the front comes off) and contains a
German four-poster bed with rope stringing and a related ladderback
chair. This type of painted furniture often appears in old Tynietoy
collections and was probably available for purchase in the Toy
Furniture Shop, but it is not Tynietoy. The German crystal radio set
is also a popular item in Tynietoy houses. All the yellow painted
furniture came from the eighty-year-old woman whose Tynietoy
collection was shown on the Antiques Roadshow two years ago in
Providence, while the fuzzy bear on wheels is a not very old
Hallmark Christmas ornament! The boys, like the other dolls in the
house, are from Dorothy Dixon's collection. Since Tynietoy houses are rare and not always
affordable, I was happy to find a homemade dollhouse with a lot of
character to provide a showcase for furniture that might otherwise
remain unseen in a storage box. And since it is not exactly a museum
piece, I felt comfortable doing some remodeling and more aggressive
redecorating than I would in an authentic Tynietoy house. I had a
great deal of fun and satisfaction fixing up this house and
building on the character that was already so apparent to me in a
dimly lit auction hall. 10/9/08 The Rising Sun Chair When the Constitutional Convention met at
Philadelphia during the summer of 1787, George Washington sat in an
unusual mahogany chair during the three months her presided over the
Federal Convention's continuous sessions. James Madison kept
meticulous notes of the proceedings and they have been preserved. On
Monday, September 17th, Madison wrote: Whilst the last members were signing [the
Constitution] Doctr. FRANKLIN looking towards the Presidents
Chair, at the back of which a rising sun happened to be painted,
observed to a few members near him, that Painters had found it
difficult to distinguish in their art a rising from a setting sun.
I have said he, often and often in the course of the Session, and
the vicisitudes of my hopes and fears as to its issue, looked at
that behind the President without being able to tell whether it
was rising or setting: But now at length I have the happiness to
know that it is a rising and not a setting Sun. The original chair was made by John Folwell
in 1779 and has been revered by generations of Americans for its
historical importance and its unusual design. A miniature replica of
the chair and the desk with which it was paired were made in limited
numbers by Tynietoy in a scale somewhat larger than 1:12, and
similar in scale to the Sophia Smith chair. Ann Meehan recalls that
perhaps ten years ago a number of them were offered for sale at
Freeman's auction house in Philadelphia, but not identified as
Tynietoy. I encountered the chair and desk offered on ebay
about five years ago but the reserve was never met, and at the time,
I did not know Tynietoy had made them and the seller apparently was
equally ignorant. The replica is made of mahogany and
upholstered in fine red leather with small nails, very similar to
the original. A cartoonish rising sun is painted on the crest. I recently purchased this very rare chair
when I attended an auction in Canada. The entire collection of the
Mildred Mahoney Dolls' House Museum was offered with the
furniture still inside all the dollhouses and roomboxes. This chair
was in a large contemporary roombox and was identified as a Rising
Sun chair, but not identified as Tynietoy. Another American bidder
gave me some competition for it, but I still managed to attain it
for what I consider a reasonable sum, particularly since the roombox
also contained a fine Gerald Crawford library step-chair and other
items of interest. The sale was not conducted with internet bidding,
so few Tynietoy collectors even knew it was available. Tynietoy archival measured drawings,
beautifully executed, capture all the details that appear on the
original chair. The drawings indicate the scale was 1.5 inches to
the foot. In at least one catalogue (probably from
later production years), the chair was illustrated with the desk. At
the time, the chair sold for $8.50 and the desk for $6.50. By
comparison, a canopied bed was $4.75 and oil paintings were
$4.50. The same waves of patriotic sentiment that
fueled the Colonial Revival movement also inspired the designs
that Tynietoy produced during the 1920's and 1930's. Tynietoy
created a special lampshade to commemorate the sesquicentennial of
Betsy Ross designing the American flag in 1776 (as was believed by
most if not all Americans in 1926) and they similarly honored
the bicentennial of George Washington's birth in 1932 by
producing framed pictures of our first President and mailing
them to some of their customers as a gift. The Mt. Vernon collection
probably dates to this same period and it seems highly possible that
the firm marked the sesquicentennial of the Constitution in 1937 by
creating these pieces. In any case, this rare chair, highly sought
after by Tynietoy collectors, makes a fine companion to my set
of three Sophia Smith chairs, although for the moment, I have it
paired with a mahogany table in the library of my Mystery House!
(8.25.10) NOT
Tynietoy! I'm
often saddened to see many items listed for sale on ebay, or offered
at shows, that are represented as Tynietoy when in fact they
are not. Sometimes the seller is merely uninformed, but the sad fact
is that some people just think they can get more money for an item
by calling it Tynietoy. I think perhaps the most egregious example
I've seen on ebay was someone identifying a plastic Chrysnbon
Windsor chair as a rare Tynietoy chair, and some bidders took the
bait, pushing the price upwards to triple digits. In another case, I
emailed a seller when I saw that the andirons he was offering on
ebay were similar but not authentic, and he replied that he had been
assured by the "highly reputable" dealer he bought them from, that
they were indeed Tynietoy and he had paid something like $65 for
them, so they had to be authentic! Over the years I've seen
misattributions and outright frauds, and I feel bad for new
collectors coming into this field and being victimized. So I'm
compiling some examples of things that are commonly misidentified
and will share them from time to time. Perhaps the most common mistaken attributions
are when people buy Chestnut Hill or Lynnfield pieces thinking
they are Tynietoy. When I submitted my article about Chestnut
Hill furniture to Miniature Collector Magazine, I included several
photos with lengthy captions comparing the similarities and
differences between Chestnut Hill and Tynietoy, only to see the
article published with my photos reduced to the size of postage
stamps and the captions omitted entirely in the interest of
conserving space. I was so disappointed as I had hoped those photos
would do a real service to collectors. Another issue is the German
furniture that was reputed to have been sold by The Toy Furniture
Shop, Tynietoy's retail outlet. Certainly this furniture mingled
happily with authentic Tynietoy furniture in dollhouses of that
period, but I feel it should be identified as a distinctly different
product from Tynietoy. It
didn't help any when Miniature Collector published an
article about a Tynietoy collection that included a
prominent photo of a Lynnfield painted trestle table and benches
erroneously identified as Tynietoy. Magazine articles are not
necessarily a reliable source of instruction, nor are some books
often cited as references. It often seems that as soon as a
book about antique or vintage dollhouses is off the
presses, new discoveries render some of the text obsolete and
erroneous, and the price guidelines are virtually meaningless
for reasons well known to experienced collectors. The best
education probably comes from seeing things in person,
preferably in the helpful company of more experienced
collectors - that's how I learned! The
chair in the center of this photo is Tynietoy with a faux painted
maple finish. It is from the collection previously owned by Dorothy
Dixon and I have encountered only one other Tynietoy chair like it.
The chair on the left is made of walnut, is slightly larger than 1"
scale, and seems to be from the same manufacturer as the Windsor
chair discussed below. The chair on the right is a frequently
encountered mass-produced souvenir "Facsimile of the chair brought
over on the Mayflower by John Carver, first Governor of the Plymouth
Colony" as stated on the paper label affixed to the bottom of the
seat, which is made of textured paper as opposed to the woven seats
of the other two chairs. Flora Gill Jacobs referred to this last
chair as an "Exposition" chair, presumably offered as a souvenir at
the Columbian Exposition of 1893. I believe it was probably sold at
several venues over a number of years. Could anyone confuse the crudely
constructed 1970's Shackman chair on the right with an authentic
Tynietoy chair, shown left? I don't mean to offend my readers'
intelligence by showing these two chairs side by side for
comparison, but I was shocked and saddened to see a set of four
Shackman chairs and a Shackman drop-leaf table offered for sale as
Tynietoy at the Allentown antique toy show a few years ago. I'd seen
the dealer buy them in a box lot at a Rhoads auction a year earlier,
and when they re-appeared in Allentown, they'd been painted red and
green, and brand new Toy Furniture Shop paper labels had been glued
to their bottoms (printed off a computer or photocopied, I don't
know - it felt sickening simply holding them in my hand). The same
dealer also offered several pictures that had been newly framed
with cornice moldings manufactured today by Northeastern Scale
Models, also with new labels on the backs. I think that sort of
blatant fraud is indeed offensive to one's intelligence, and it's
pathetic that anyone would try to take advantage
of inexperienced collectors that way. I'll be posting more photos and welcome
additional photos from anyone else who'd like to share stories of
mis-identified Tynietoy, intentional and otherwise.
A Tynietoy New
England Townhouse The
entrance hall was in fine condition when I got the house, but I did
add baseboard and cornice moldings to some of the rooms as the door
molding looked odd to me without accompanying baseboards. I
believe townhouses are plentiful enough that I don't need to treat
mine like a museum treasure and preserve it as found. The interior
of the house had been aggressively redecorated at some point in the
past, so I felt comfortable removing what had been done by others
and customizing it to my taste while attempting to stay true to the
Colonial Revival style I remembered so well from my grandmother's
Connecticut home built in 1938. The needlepoint bell pull on the
left was in the house when I purchased it, so I've kept it. The
unusual Chippendale chair in the background has the same cabriole
legs and construction techniques as Tynietoy chairs, but is probably
an unsigned piece by George LeClerc. This second bedroom was covered with a
dark green printed chintz fabric to which had been glued a crude
wainscot made of painted popsicle sticks. A white painted Tynietoy
corner cupboard had been wedged into the right hand corner
between the wainscot panels. Fortunately, the fabric
was removed with a little effort, taking the wainscot with it
and freeing the corner cupboard. The floor of that room had been
painted over as well, but that came off easily with a minimal
application of paint stripper. Sorry about the shadow....
I have sold this house
(8.31.10) |
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Tynietoy Colonial Mansion A 1922 Collection of Tynietoy
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